Date Published: October 9, 2020
Publisher: INtense Publications LLC
In The Boatwright we learn about Steven’s father, Dalat, who becomes known as Sabal on earth. It chronicles the events leading up to the earlier adventures. This one starts in Verdura but goes back to 19th century America. Many unanswered questions from the first two books find a solution in The Boatwright.
From Chapter 8: The Green Corn Dance
…one dance, done with feathers, particularly interested him. The dance boss watched him, and as the dance concluded, he extended the dance stick to Sabal, meaning that he was to lead the next dance. Sabal hesitated. But when the man started to take the feathers back to the tchoc-ko thloc- ko, he gestured for him to bring them back.
He set the stick down, took some feathers, and stepped into the leader’s spot. After he had placed feathers between his fingers, he held his arms down, straight and tight against his body so that the feathers splayed down toward the ground. He closed his eyes for a moment and gave
himself over to thought. That bird, he mused. He remains in my mind, though I do not know whether to love him or to hate him. But then he opened his eyes and nodded.
He knew the story of Ispri. He had heard it in his creche. He began to dance the story. He raised his arms very slowly from his sides until they formed a straight line across his shoulders from hand to hand, feather to feather. Everyone in the dance circle turned slightly and stretched out their arms similarly.
He fluttered the feathers. They fluttered their fingers. Then he moved his hands – slowly, with deliberate grace – up and down, and up and down. He arched his back and began turning his arms so that the hands made small circles in the air. The others mimicked his circles.
Then he swayed his upper torso, gently, undulating. The others followed. He continued to do so as he stepped from one foot to the other, side to side. The entire line swayed and stepped from foot to foot. Then he waved his arms more swiftly. And when they were moving very swiftly he jumped.
He broke the circle, skipping and jumping. From place to place to place he skipped and jumped. The circle became a line, following him, a line turning and crossing and undulating. And then he tumbled to his knees. All the others fell, likewise, to their knees. His arms still made circles, but smaller, more slowly. Then he settled to his haunches, arms slowing still more. All did the same. And now, he gently rolled and waved his arms, gently, gently, feathers extending from the fingers, until he pulled them in upon himself, cradling himself.
He let his face fall forward and touch the ground, rise again slightly, and then fall again, unhindered, into the dirt. All the other men set their faces in the dirt. Sabal allowed his fingers, and the feathers, to ripple slightly, and then he was still. No one moved. No one made a sound.
The fire crackled softly. A few night birds sounded in the distance. Sweat trickled down Sabal’s down-turned face and dripped to the ground with a tiny hiss. An animal called in the distance. Crickets sang. Sabal’s forehead remained in the dirt. The dancers remained still.
But then Sabal moved a feather. He moved it and was still, but it had made its scratching sound on the earth.
And then he moved another. He rippled his fingers gently, first on one hand, and then on the other. Stop. He did it again. The others began cautiously to move their fingers, to turn their faces sideways to watch.
Then Sabal pulled an arm out from underneath himself, stretched it once and put it back. Then the other. Then both at once. Now he raised his head a bit, arching his back and shoulders, then straightening them, bending back down. And then he was up again, undulating. Slowly, slowly, arms gaining speed, circles becoming larger, he rose to his feet.
Then suddenly, instantly, wildly, he waved and turned and shouted and jumped… running to the edge of the dance circle… running along the edge, jumping, waving his arms. The dance followed. They all jumped and leapt. He led a wild, shouting procession all around toward and away from the edge of the dance circle, waving and weaving, exulting and leaping. On and on.
But finally—slowing, quietening, gradually—he led them back to the center of the circle. He led them back to the center and to stillness.
After a time, Sabal took the feathers from his fingers, picked up the dance stick, raised his head briefly, nodded at the dance boss. Then he bowed his head again.
The dance boss approached Sabal and gently took the stick from the ground in front of him. At that moment everyone broke out in cheers. But Sabal wept.
Keeta led Sabal from the dance circle. As he neared its boundary, did the single rotation and bow required, and stepped out, Chono approached. She took his hand in both of hers, gathering it to herself as one does a precious thing. He said nothing because he had no words. He had shared himself in the dance. There was nothing left to say, nothing left to share.
About the Author
Growing up in Boston, and living in four countries in Europe over 25 years,
gave Dr. Saunders a desire to know and share the history that has shaped the world we live in today. He is excited to share how similar the founding concerns and events of our country are to what we are experiencing